Wonder why there are so few prominent black actresses in Hollywood? Let Alfre Woodard, Tracee Ellis Ross, Meagan Good, Nicole Byer, Retta and Loretta Devine explain.
It’s been eight years since Octavia Butler died from a stroke. In all that time, fans have wondered long and hard about the unfinished manuscript that she was working on at the time of her death. Luckily, she bequeathed her archives to Huntington Library and Gerry Canavan, a literary scholar at Marquette University, has gotten a good look. In a piece for the Los Angeles Review of Books, Canavan writes about what he’s found:
Nearly all of the texts focus on a character named Imara — who has been named the Guardian of Lauren Olamina’s ashes, who is often said to be her distant relative, and who is plainly imagined as the St. Paul to Olamina’s Christ (her story sometimes begins as a journalist who has gone undercover with the Earthseed “cult” to expose Olamina as a fraud, and winds up getting roped in). Imara awakens from cryonic suspension on an alien world where she and most of her fellow Earthseed colonists are saddened to discover they wish they’d never left Earth in the first place. The world — called “Bow” — is gray and dank, and utterly miserable; it takes its name from the only splash of color the planet has to offer, its rare, naturally occurring rainbows. They have no way to return to Earth, or to even to contact it; all they have is what little they’ve brought with them, which for most (but not all) of them is a strong belief in the wisdom of the teachings of Earthseed. Some are terrified; many are bored; nearly all are deeply unhappy. Her personal notes frame this in biological terms. From her notes to herself: “Think of our homesickness as a phantom-limb pain — a somehow neurologically incomplete amputation. Think of problems with the new world as graft-versus-host disease — a mutual attempt at rejection.”
Warning: Graphic images below.
Alejandra Hernandez is a graphic design student at Bogota’s Panamerican University and is waging a war against these reggaeton song lyrics, according to Fusion. Hernandez created posters of some of the genre’s most sexist lyrics for a class assignment back in April, and those images have since gone viral in Latin America.
“Our goal is not to ban reggaeton and other urban rhythms,” Hernandez told Fusion. “But maybe there can be some change, maybe lyrics can change so that women aren’t mistreated.”
“People may listen to these songs because they like the rhythm,” Hernandez added. “But when you really start to look at the messages they’re leaving, you think wow, this is quite awful.”
Be warned: the images below are extremely graphic and depict violence against women.
“I’m going to pound you in the kitchen.”
“If you were a nail and I was a hammer I would nail you down.”
“She likes to be hit hard and eaten.”
Kylie Vu is a transgender artist who made Hallmark’s first-ever gay Father’s Day cards. “I’m so proud to be the artist involved in making the first ever same-sex Hallmark eCard featuring two gay dads,” Vu wrote on Tumblr. “And I’m proud of Hallmark for celebrating people’s differences! It doesn’t matter who’s in it, LOVE makes a family.”
Check out more from the collection, called “Spectrum”, below:
Mindy Kaling is currently working on a new book called “Why Not Me?” that’ll cover everything that’s happened in her life since her last book, released back in 2011. And, as Jezebel points out, that’s quite a lot:
“The show; my mother passed away; so many of my friends have gotten married. I’m a godmother now, and a homeowner. There’s so much that has happened in that period of time that I wanted to write another book,” Kaling told the LA Times’ Yvonne Villarreal. “…I can only fit so much into the show and have all this extra stuff and I love writing in that format. It’s very different from writing dialog.”
The book will reportedly also tackle some of the controverseies that have swept the writer up in recent years, including her noticeably different Elle cover and the discussion abouot race on her show “The Mindy Project.”
Time moves fast in New York City, and I guess the same is true for culture phenoms. It’s been a little over two years since Linsanity swept through the Big Apple, and recently Sports Illustrated put New Yorkers to the test to see if they still recognized Jeremy Lin, the man who finally brought excitment to the Knicks. They parked him on a bench and waited. See what happens next.
Grammy-nominated Chilean rapper Ana Tijoux joined forces with Palestianian emcee Shadia Mansour in the new song and video “Somos Sur,” which dropped earlier this week.
“‘Somos Sur’ is about the importance of resistance, not only in Chile, but around the world,” Tijoux told Rolling Stone. “Global resistance movements, whether in Latin America, Africa or the Middle East, are fighting against the same patterns of violence that have repeated themselves throughout history. Which means many of these groups share a similar set of demands. We are asking for a free Palestine just like we’re asking for an independent Wallmapu in Chile, without police control.”
The Los Angeles Library’s “Shades of LA” photo archive contains more than 10,000 images of black, Latino and Asian-American families throughout Southern California dating back to the early 20th century. Here, librarian Kathy Kabayashi explains the very deliberate process of gathering so many images from people’s private archives.
Long before he became “The Man,” Aloe Blacc was an MC with the well-regarded underground duo Emanon. While he’s devoted the past eight years or so to singing, Blacc says that he does miss rapping and is working on new music with producer Exile. Check out his interview with Okayplayer.
Ruby Dee, known as one of American drama’s leading ladies and the woman who helped integrate daytime soap operas, has passed away at 91. She was one of the preeminent artist-activists of her generation, a role that she summed up recently on the anniversary of the 1963 March on Washington.
Beyoncé has a new scandal on her hands, and this time it involves her child’s hair. There’s a ridiculous Change.org petition called “Comb Her Hair and while its creator, Jasmine Toliver, says that it started as a joke, it’s gotten more than 2,000 signatures already.
Like, seriously. This is a thing. Behold:
As a woman who understands the importance of hair care. It’s disturbing to watch a child suffering from the lack of hair moisture. The parents of Blue Ivy. Sean Carter A.K.A Jay-Z and Beyoncé has failed at numerous attempts of doing Blue Ivy Hair. This matter has escalated to the child developing matted dreads and lint balls. Please let’s get the word out to properly care for Blue Ivy hair.
Since the Internet has decided that it’s important to comment on the hair stylings of a toddler, let’s resurface Jamilah Lemieux’s piece at Ebony on this from back in January:
Either way, I think the most troubling issue with the recurrent “oohgirldiduseeblueivyhair” mess is that we refuse to see a little happy Black child as just that: a little, happy Black child. And in the court of public opinion, Black children are rarely afforded the protection due to children. (A rare exception: Mitt Romney’s little chocolate grandson, who was only defended in order to denounce Melissa Harris Perry.) We treat them like little adults. And while there isn’t some massive outcry about young Miss Carter’s hair, the fact that there is negative chatter about her hair every time she’s photographed is quite disheartening.
Black hair doesn’t need more policing.
Diane Guerrero plays tough-girl Martiza on “Orange is the New Black.” She recently caught up with Vanessa Erazo at Remezcla to talk about her experiences on the show and the perception that her character is perpetuating stereotypes about Latinas in America.
I auditioned for Devious Maids and I wanted the part so bad. I honestly thought, what a clever idea. And, I hear those concerns about perpetuating stereotypes. But, the reality is that a lot of Latinos in America do have a lot of these jobs. I think the way that Devious Maids is portraying it; they have a lot more going on than has been portrayed in films and TV in the past. Also, I think, one of the main characters is actually a lawyer and she is undercover trying to exonerate her son or trying to get her son out of jail or something. Although, I do understand those concerns but I think it is a great thing to show this side of us, a postive side. But, I also expect Latinos to be shown in another way. In like, the lawyer, the doctor, the professional, the one who has help instead of being the help. I also want to see those roles come to life. I think they are showing strong women who work hard and that there is nothing wrong with these jobs. So yes, I don’t have a problem with that.
The same thing goes for Orange is the New Black. People might ask: what do you think about Latinas being portrayed like this or people of color being portrayed like this? I go: it’s true, but this is just a side of us, just like it is a side of white folks or black folks. It is just a story being told. Now, after this, I certainly expect [different roles] — I’ve been seeing a lot more women of color in comedy and in other things coming out.
Dave Chappelle sat down with David Letterman on Tuesday ahead of his upcoming shows at New York’s Radio City Music Hall later this month. It was Chappelle’s first appearance on the show in 10 years, and it looks like he’s in good enough spirits to poke fun at his departure from Comedy Central.
I first experienced Shizu Saldamando’s work at the Smithsonian Asian Pacific American Center a couple years ago. I immediately recognized the figures in her work — the queer couples embracing, the twentysomethings at house parties. It represented the California that I know, love and grew up in. And it’s increasingly representing the rest of the country, too.
Check out this video of Saldamando explaining her work.
If you live in New York City, your closest and most intimate relationships may be with the city’s millions of rats. They’re in the streets, on the subways, and occassionally in your apartment. But one place they’re not? Kara Walker’s exhibit at the Domino Sugar Factory.
It’s quite an achievement considering that the exhibit is made out of 160,000 pounds of sugar and is left uncovered overnight in a dilapidated 158-year old sugar factory. What’s their secret?
Lots and lots of poison, according to Claire Voon at Hyperallergic.
Last year, according to Two Trees [the development firm that’s demolishing the factory in order to build residential condos] representative Marina Trejo, the firm began spraying the site and laying poison as well as rodent traps to prep for demolition. Signs warning of these dangers still hang on the factory’s exterior, visible to all. Every visitor also has to sign a waiver before entering the hall, but this implementation is universal to all construction sites rather than specific to this warehouse-turned-art space, or even Kara Walker’s work. Furthermore, the document is not pest-oriented, using the catch-all phrase of “chemicals” to cover the perils of rodenticides and pesticides on site, along with more boilerplate construction hazards like asbestos.
Read more over at Hyperallergic.
Clement Hanami is a Japanese-American artist who happened to grow up in East Los Angeles. It’s an experience that he says typifies the generations-long cultural exchange between Asian and Latino communities in California, one that the rest of the world is now paying attention to thanks to sweeping demographic change. But for Hanami, his bicultural experience informs his life — and his art.
Hanami’s recently gotten a lot of attention in West Coast art circles for his “Lowrider Rickshaw,” an object that stands as a symbol of cultural exchange between the two communities. Hanami reimagines the rickshaw’s Japanese origins by decking it out in classic Chicano lowrider style with chrome wheels, hydraulics and a sound system.
“Identity is something that’s inside of you. You really don’t examine it in full, it’s ingrained into you,” Hanami told Carren Jao at Artbound about his increasingly brazen rickshaws, which he says are meant to be a lighthearted take on Asian-American and Chicano culture. “They’re meant to be humorous in that we can look at our culture and identities and understand that there are similarities in how we look at each other.”
Shonda Rhimes was Dartmouth’s commencement speaker this year and had a lot to say about work and activism. While noting that she hates giving speeches, Rhimes took time to address the graduating class of 2014 at her alma mater on how they can make themselves useful:
Oh. And while we are discussing this, let me say a thing. A hashtag is not helping. #yesallwomen #takebackthenight #notallmen #bringbackourgirls #StopPretendingHashtagsAreTheSameAsDoingSomethingHashtags are very pretty on Twitter. I love them. I will hashtag myself into next week. But a hashtag is not a movement. A hashtag does not make you Dr. King. A hashtag does not change anything. It’s a hashtag. It’s you, sitting on your butt, typing on your computer and then going back to binge-watching your favorite show. I do it all the time. For me, it’s “Game of Thrones.”
Volunteer some hours. Focus on something outside yourself. Devote a slice of your energies towards making the world suck less every week. Some people suggest doing this will increase your sense of well-being. Some say it’s good karma. I say that it will allow you to remember that, whether you are a legacy or the first in your family to go to college, the air you are breathing right now is rare air. Appreciate it. Don’t be an asshole.
There’s been lots of talk, and some meaningful interventions, in the discussion about the lack of racial diversity in children’s literature. But if you’re looking for something more direct like, say, a list of recomended children’s books by and about kids of color, you’re in luck. Aly Seidel at KQED’s MindShift blog came up with a list of 25 recommendations, some of which are listed below:
The Boy Who Didn’t Believe in Spring by Lucille Clifton
King Shabazz gets tired of everyone telling him that “spring is right around the corner,” so he and his friend Tony start turning street corners to chase this elusive spring — after putting their caps on backwards to show they mean business! (Find the book here. Ages 3-5)
Bravo, Chico Canta! Bravo! by Pat Mora and Libby Martinez
A multilingual mouse and his family live upstairs in an old theater. They love to go to the plays and shout “Bravo!” when the curtain falls. But when Gato-Gato, the theater cat, finds them, Chico Canta must use his gift for languages to save his family. (Find the book here. Ages 4-7)
Bringing Asha Home by Uma Krishnaswami
Arun can’t wait for his little sister to come home — she’s been adopted all the way from India. But India is far away and Asha’s adoption frustratingly takes nearly a year. While waiting for their newest addition, Arun and his family find ways to welcome Asha into their hearts, even if she isn’t in their home. (Find the book here. Ages 4-9)
Brush of the Gods by Lenore Look
“Brush of the Gods” is about Wu Daozi, a famous seventh-century Chinese artist. The author imagines Wu Daozi as a young man trying to learn calligraphy, but when he sits down to write, he creates beautiful paintings instead! An imaginative tale that thoughtfully brings life to one of China’s master painters. (Find the book here. Ages 4-8)
The Christmas Coat: Memories of My Sioux Childhood by Virginia Driving Hawk Sneve
As winter comes to Virginia’s reservation, she can’t wait for the charity boxes from the East, full of coats for the winter. However, her parents expect her to put other people’s needs before her own and she is devastated when her classmate takes the rabbit fur coat that Virginia wanted. This is a story about selflessness and the spirit of Christmas. Winner of the American Indian Youth Literature Award. (Find the book here. Ages 5+)
See the entire list over at KQED’s MindShift blog.
There’s a massive diversity gap in children’s literature. Long a unique concern among educators and parents of color, the problem bubbled to the surface of national conversation earlier this year when Walter Dean Myers wrote about it in the Sunday Edition of the New York Times. According to those researchers at the University of Wisconsin, of 3,200 children’s books published last year, only 93 were about black people.
Robert “Tres” Trujillo is trying to change that dismal reality. The San Francisco-based illustrator has launched a Kickstater campaign to raise $10,000 for his first children’s book “Furquan’s First Flat Top,” a bilingual Spanish and English story about a young boy’s first trip the barber shop with his father. Trujillo writes about his inspiration on fundraiser page:
I want to reflect some of the children and families I see; I love children’s books and think diverse stories like this one need to be seen. As a parent, I understand the importance of encouraging reading at an early age, and this book will be in both Spanish and English, as I know the positive impact it can have when children are exposed to more than one language. Lastly I think it is important to show a loving relationship between a father and his son.