Jazz favorite José James recently recorded a cover of “Who Loves the Sun” to honor rock pioneer Lou Reed. It’s a nice cross-genre tribute. Watch.
Jazz favorite José James recently recorded a cover of “Who Loves the Sun” to honor rock pioneer Lou Reed. It’s a nice cross-genre tribute. Watch.
Elle Magazine recently caught up with Brittney Griner, the gender-bending, slam-dunking sensation who’s swept through women’s basketball. Griner’s become a trailblazer since at least last spring, when she nonchalantly came out of the closet. Elle’s profile takes up from where Griner finds herself now, amid the whirlwind of attention. And, in typical Griner style, she refuses to be anyone but herself:
[Griner] retreats into the tiny bathroom to change from her low-slung jeans and Nike T-shirt—the company has signed her to model its menswear, the first time a woman has had that gig—into her suit for Conan. Once the stylist has fussed over her, including rolling her pants cuffs to just the right height, lest they hike up if she crosses her legs—“I never cross my legs,” Griner assures her—Kagawa Colas calls her over for a quick makeup session. “See, it looks like nothing,” she says as she puts the slightest smudge of foundation and undereye concealer on Griner’s smooth, flawless skin.
At the WNBA’s rookie orientation, Griner says she declined to participate in a session about makeup application and how to dress. “I don’t need that shit,” she says without rancor, adding that the only lecture she appreciated was one on 401(k)s. (Yes, new WNBA players are taught how to apply makeup while NBA rookies learn to beware of gold-digger groupies who might prick tiny holes in condoms.) Now, peering at herself in the makeup mirror, Griner approves of her agent’s handiwork. “Looks like nothing,” she agrees.
On Nov. 6, 2013, our publisher, the Applied Research Center, officially became Race Forward: The Center for Racial Justice Innovation. Why the name change? Check out today’s column from Colorlines Publisher and Race Forward Executive Director Rinku Sen to get the full story. But it boils down to this: You can’t fix a problem you won’t name, and after more than 30 years of working for racial justice, we are still determined to directly and openly confront racial inequity. Our name needed to reflect that urgency. Watch (and share!) the video above to learn more about Race Forward’s work.
Apparently, the creators of AR Wear only read one study on rape before creating this product. The new “Anti-Rape Wear,” which they’re fundraising for on IndieGogo, promises women can protect themselves from rape with super reinforced panties. According to their marketing campaign, rapists aren’t people you know, but rather someone you might encounter on a run, a first date or out at the club. And the message they’re sending: You can still wear a short, tight dress or go running and feel safe because potential attackers won’t be able to get into your panties (even using scissors).
Although aiming to protect women from potential sexual assault is admirable, the product and messaging perpetuate a disturbing number of rape myths. Alexandra Brodsky at Feministing posed some great questions, a few of which I’ve included below:
- AR Wear, if the whole point of your magic anti-rape underwear is that an evil rapist can’t take them off, is it going to take me a really long time to undo all the secret locks if I have pee?
- How does this protect people who have an intimate relationship with their assailant?
- What about all the forms of sexual violence that don’t require removal of underwear?
- Do the inventors of this know what sexual violence actually looks like outside of Law and Order?
- Where are the rapists in this calculation?
- Haven’t we been over this before?
And, I’d like to add—Where are the women of color in your advertisement? But perhaps more disturbing is that people are actually funding this product. It seems they’ve successfully tapped into stranger-rape panic by creating what—as Slate puts it—seems like a modern “chastity belt” for potential rape victims.
In the years since community groups started tackling Los Angeles Unified’s youth ticketing policy back in 2006, the district has cut way back on its use of the discriminatory policy. Five years ago the district was handing out upwards of 3,000 tickets a year. Tickets come with stiff fines and requirements for both child and guardian who miss yet more school and work to show up in court. In the 2012/2013 school year, LAUSD handed out 209 tickets, an 80 percent cut.
But, according to a new report from the Labor Community Strategy Center (PDF), the improvements have been made alongisde increasing racial disproportionality in who gets punished. Back in the 2010/2011 school year a black LAUSD student was 3.8 times as likely as a white student to get ticketed. But the following year it jumped to 4.5, and in the 2012/2013 school year black students were nearly six times as likely as white students to get ticketed. As the report authors write, “Statistics like these raise the question of whether it has become social policy to criminalize Black and Latino youth for behaviors that are considered normal and acceptable for white students.”
Read the rest of the report (PDF) for more, including a discussion on overpolicing of students of color in the nation’s schools.
Inspired by the recent mass shootings at Sandy Hook Elementary and Aurora, Colo., researchers from Australia’s Monash University and Britain’s Manchester University produced a study in the hopes of better understanding the relationship between racist attitudes, gun ownership, and support for gun laws among white people in the U.S. Using data from the National Election Study, they found that what those who felt “symbolic racism” were 50 percent more likely to own a gun, and 28 percent more likely to support concealed handgun policies.
In an email to the New York Daily News, researchers explained what prompted their study:
“There had already been research showing that … blacks are more likely to be shot, so we thought there must be something happening between the concept of being black and some whites wanting guns,” Monash researcher Kerry O’Brien said…
Researchers also said they were confused by how people in the U.S. could be so resistant to gun policy reforms when the rates of gun homicide are so high, and this study helped them better understand the role of racist attitudes in fueling violence. According to a recent Gallup Poll, 50 percent of gun owners in the U.S. are white men compared to just 21 percent of all black people, even though they are disproportionately effected by of gun-related homicides.
(h/t NY Daily News)
The Kansas City Star has the sad story of a 19-year-old woman who’s gotten a long-awaited — and unusual — early Christmas gift from her white mother: a name change.
The woman, formerly known as Keisha Austin, said that she faced bigoted bullying from classmates and teachers because of her name, which people associated with “video vixens, neck-rolling and Maury Povich tabloid fodder.” In short, having a recognizably “black” girl’s name would up being an emotional and social hazard. ”In our society, names like Abdul and Muhammad get flagged for security checks,” noted the writer, Jenee Osterheldt. “Tran and Jesus get labeled illegal immigrants. Deonte and Laquita? People see baby mamas, criminals and affirmative action hires. Billy Bob and Sue? Hillbillies and trailer parks.”
For years, Keisha begged her mother to change her name.
“It’s not something I take lightly,” she told the paper, crying. “I put a lot of thought into it. I don’t believe you should just change your name or your face or anything like that on a whim. I didn’t want to change my name because I didn’t like it. I wanted to change my name because it didn’t feel comfortable. I don’t connect to it. I didn’t feel like myself, but I never want any girls named Keisha, or any name like that, to feel hurt or sad by it.”
Mexican-born actor Diego Luna directs the upcoming biopic about influential civil rights activist Cesar Chavez. The star-studded cast includes Michael Peña, America Ferrera, Rosario Dawson, and John Malkovich, who will tell the story of Chavez’s rise from farmworker to labor leader, and the evolution of his non-violent protest strategies and role in building a union for farmworkers. The film is set for release in April 2014.
The ratings are in and it turns out that Kerry Washington’s guest host spot on this past weekend’s “Saturday Night Live” brought in close to four million viewers, the show’s highest metered market rankings since Justin Timberlake guest hosted an episode last March.
(h/t Shadow and Act)
M.I.A.’s fourth studio album “Matangi” is out today. The album has so far gotten mixed reviews. While the music blog Consequence of Sound calling it “a powerfully abrasive record that’s also M.I.A.’s best in years,” Pitchfork gave it a tepid 6.5 rating and called it “limp” and perplexing.”
But, as is often the case with any M.I.A. product, the packaging is just as important as what’s inside. The singer/rapper/designer sat down for an interview with NPR and talked about everything from her childhood to the song she’s written for her new album with Wikileaks founder Julian Assange. Among the most interesting parts of the interview is when M.I.A. talks about her reputation as a provactive artist.
Who told you to “F off,” as you say? Where was that message coming from?
Well, that’s kind of what the New York Times article was about: It was a government official and my ex-boyfriend discrediting what I was saying, and everyone got behind them. So it was really confusing to me because I was like, “Well, what’s the difference?” One is a story where an American person goes to Uganda and picks out the story, puts it into context and then uploads it to YouTube, and then a lot of Americans can understand it. And me, I can be in the same category as Jacob, but I did the journey myself — nobody had to come to my village and save me and articulate my story. I’d learned the language myself, I built the platform myself, got to a microphone myself, got nominated for a Grammy and an Oscar the same month, to make the biggest platform possible in America. Then I told the story — and it didn’t translate. A lot of people were like, “Just make music; don’t talk about politics.” But I was in a very difficult position: I was the only Tamil rapper [on the international stage], so when a whole bunch of Tamil people were dying, I had to tell you about it.
A last question strikes me: A lot of people describe you as provocative. Is that a fair label?
Well, I don’t know. The thing is, is that a thing about them or is it a thing about me? I don’t intentionally go, “What is provocative?” and try to do that. I just do stuff and people go, “That’s provocative.” Maybe because sometimes I’m super-ignorant — and sometimes they’re super-ignorant.
BET’s annual Black Girls Rock Awards Show aired on Sunday. The show, which is a partnership between the a non-profit group and the network, is a celebration of black women in music and activism. But it was New York City-based singer Alice Smith who stole the show with her rendition of Cee-Lo’s song “Fool For You.”
Also of note was Chicago activist Ameena Matthews, known for her work in violence and gang prevention on the city’s South Side, who was honored at Sunday’s ceremony.
Angel Haze has already established herself as a talented MC, but now she’s also giving fans a glimpse of her vocal range. The artist continued her “30 Gold” series — 30 covers in 30 days — by singing her own version of Lana Del Rey’s song “Summertime Sadness.” Haze’s covers include songs by Jay Z, Kanye West, Kendrick Lamar, Macklemore, Gil Scott-Heron, and Drake and the series itself is a precursor for her album “Dirty Gold,” which is due out next year.
(h/t Summertime Sadness)
If nothing else, M.I.A. is provocative. The singer, who’s new album “Matangi” hits stores on Tuesday, opened a show on Friday with special guest Julian Assange. The Wikileaks founder Skyped into the concert from the Ecuadorian Embassy in London, where he’s currently living under diplomatic assylum for publishing troves of secret government files and fleeing charges of sexual assault.
M.I.A has long made clear her suport of Assange by contributing to his television show and naming one of her mixtapes Vicki Leekx.
Wait, Olivia Pope is stumping for Fitz again? No, that’s actress Kerry Washington rallying for former Democratic National Committee chair Terry McAuliffe, who is currently leading Virginia Attorney General Ken Cuccinelli in the state’s governor’s race, which will be decided tomorrow (assuming there are no scandalous voting shenanigans that prolong the results). Washington, fresh off a hilarious hosting stint on Saturday Night Live, showed up in northern Virginia the following day for the rally, an event that also featured President Barack Obama, representing for the Democratic Party in the high-stakes battle. Even though McAuliffe is leading his Republican opponent in just about every poll, the Democrats aren’t taking any chances, which is why they brought out the big guns like The President and The Fixer herself, Washington, who apparently polls well with women.
“You deserve a governor who trusts women to make our own health decisions!” said Washington at the rally, a dig at Cuccinelli given his policies on limiting women’s choices and access to abortion. Watch her speech below:
Here are five more races at the local level you should also pay attention to.
Firelight Media has announed the 2013 recipients of the Next Step Media Fund, which will provide $70,000 to documentary film projects from independent producers of color. Each project has revieved direct mentorship award-winning documentary filmmaker Stanley Nelson, who co-founded Firelight Media.
“The Next Step Media Fund helps to demonstrate that Firelight’s Producers’ Lab is more than just a mentorship program. In addition to helping these filmmakers prepare their work for national broadcast, we are providing holistic support to a whole new generation of independent filmmakers of color,” says Marcia Smith, Co-Founder and President of Firelight Media, “and being able to provide direct financial support at a critical stage demonstrates our commitment to making a long-term commitment to these participants.”
This year’s recipients include Byron Hurt, whose documentaries “Hip-Hop: Beyond Beats and Rhymes” and “Soul Food Junkies,” have each debuted to critical acclaim. More on this year’s recipients:
Wednesdays in Mississippi by Marlene McCurtis
“Wednesdays in Mississippi” tells the little known story of the unlikely alliance and friendship between the “Godmother of the Civil Rights Movement”, Dr. Dorothy Height and Polly Cowan, a wealthy, New York Jewish activist. In defiance of a world in which women took their lead from their husbands, in defiance of the unacknowledged sexism inherent within the Civil Rights Movement itself, and in defiance of a world in which black women worked for white women, not with them, these two remarkable women fought together to effect lasting change.
Hazing: How Badly Do You Want In by Byron Hurt
”Hazing” will be a 60-minute documentary film that will explore why the controversial practice of hazing continues to be widely seen as a meaningful and legitimate rite of passage, despite mounting lawsuits, fraternity/sorority chapter suspensions, increased media coverage, serious injuries, arrests, and tragic deaths.
Trapped by Dawn Porter
”Trapped” will follow the progress of two Southern abortion clinics - Reproductive Health Services of Montgomery in Montgomery, AL and the Jackson’s Women Health Organization in Jackson, MS as they struggle to stay open in the face of an increasingly hostile legal and political climate.
Mr. SOUL! by Melissa Haizlip
From 1968-73, America got SOUL! - televisionʼs first “black Tonight Show.” The film celebrates the groundbreaking PBS series from its genesis to its eventual loss of funding against the backdrop of a swiftly changing political and social landscape, while profiling Ellis Haizlip, the charismatic man behind one of the most culturally significant and successful television shows in U.S. history.
Reversing last week’s decision to block portions of Texas’ controversial new abortion law, a New Orleans federal appeals court voted yesterday to lift an injunction against certain portions of the legislation. The law goes into effect today, and among those provisions which have been reinstated are requirements that abortion clinic doctors must have hospital admitting privileges, and restrictions on medically-induced abortions. The three-judge federal appeals panel agreed to grant Texas lawmakers an emergency stay, enabling them to begin enforcing the law pending a complete hearing, which likely won’t happen until January. According to the Center for Reproductive Rights, one-third of the state’s licensed abortion providers will be forced to halt services immediately, a move that creates barriers which could have a much greater impact on low-income women of color.
In his first interview since being released from prison on tax fraud and false statement charges, former New York City police commissioner Bernard Kerik had choice words about mandatory minimums for small amounts of cocaine. During a “Today Show” interview with Matt Lauer, he admitted that he “had no idea that for 5 grams of cocaine, which is what [a] nickel weighs, you could be sentenced to 10 years in prison.” The former commissioner also talked race and rehabilitiation:
“Anybody that thinks that you can take these young black men out of Baltimore and D.C., give them a 10-year sentence for five grams of cocaine, and then believe that they’re going to return to society a better person 10 years from now when you give them no life-improvement skills, when you give them no real rehabilitation, that is not benefitting society.”
Kerik served under New York City mayor Rudy Guiliani and once oversaw the country’s largest municipal jail system. He was a nominee for Homeland Security secretary before he was arrested. He was sentenced to four years in federal prison.
Los Angeles-based organizing groups Standing Together Advocating for Youth (STAY) and the Youth Justice Coalition organized a flash mob in Echo Park to protest the LAPD’s latest gang injunctions. The injunctions prohibit suspected gang members from associating with one another in the neighborhood, but some in the community see them as more troublesome than helpful. From STAY’s Facebook page advertising the event:
Injunctions have been a tool to harass, imprison, displace families and rupture communities. We are getting together to ride around the proposed injunction area. We are creating our OWN safety in OUR OWN community. This ride will also be a teach in, if you want to learn more about the classist and racist injunctions and the rich hxstory of Echo Park, Silver Lake, Elysian Valley and Vista Hermosa join us!
More than 150 people participated in and witnessed the protest. Read more at STAY’s blog.
The mysterious death of 17-year-old Kendrick Johnson, who was found in a rolled-up wrestling mat at his Valdosta, Ga. high school in January, is now being investigated by U.S. Attorney Michael Moore. A surveillance tape released yesterday shows Johnson walking around campus on his final day, but does not reveal how he died. School officials are expected to release 1,900 hours of security camera footage in the coming days that could provide more clues.
Johnson’s parents recently contracted Benjamin Crump—lead prosecutor in the Trayvon Martin murder trial—as they believe their son was murdered and that his case wasn’t fully investigated because he was black. Loundes County investigators ruled Johnson’s death accidental, saying he suffocated after he fell into the mat while trying to retrieve a shoe, and they continue to stand by their investigation. But an independent autopsy found blunt force trauma to the right side of his neck, which had not been revealed in prior autopsy reports. That, combined with the way his body was found stuffed with newspaper and missing organs after it was exhumed, have aroused suspicions around the nature of his death.