Jorge Rivas, Thursday, January 10 2013, 11:01 AM EST
Earlier this week I wrote about an Oscars.org glitch that revealed a page announcing the ‘Djanco Unchained’ costume designer received an Oscar nomination. The news made international headlines after Vanity Fair published screen shots of the page that announced the nominee one week early.
“This is the third Academy Award nomination for Sharon Davis,” read the page on Oscar.org that featured images the costumes she created for ‘Django Unchained.’
But in the end it turned out Davis did not receive a nomination.
The worst part is Vanity Fair actually contacted Davis when they saw the page to get a statement.
“Oh my gosh! I haven’t even lost weight!” Davis told Vanity fair when the reporter delivered the news. “I never thought about an Oscar in my life. When they called me for Ray, I thought it was a prank call. I said, ‘Am I going to open the door and see one of those fake, standing Oscars?’”
Out of the twenty Oscar nominations for actors announced this morning, only two went to actors of color.
Denzel Washington was nominated in the best performance by an actor in a leading role category for playing the boozy airline pilot in “Flight.”
Quvenzhané Wallis star of the widely acclaimed “Beasts of the Southern Wild,” earned a best-actress Oscar nomination on Thursday morning.
This is Denzel’s sixth career Academy Award nomination, making him the most honored black actor in history, according to TheGrio. He’s won twice before: supporting actor for 1989′s Glory and best actor for his villainous role in 2001′s Training Day.
Neither Jamie Foxx or Kerry Washington were nominated for their roles in “Django Unchained.” However, Christoph Waltz, who played the man who saved them from the slave trade, earned a nomination in the supporting actor category.
A 2012 L.A. Times investigation found The Academy of Motion Picture Arts and Sciences, the group that votes for the Oscars, is nearly 94 percent white and 77 percent male, Blacks made up about 2 percent of the academy, and Latinos made up less than 2 percent.
Quvenzhané Wallis star of the widely acclaimed “Beasts of the Southern Wild,” earned a best-actress Oscar nomination on Thursday morning.
‘Beasts of the Southern Wild’ was also nominated for the coveted Best Picture award.
Wallis was only 6-years-old when she appeared in her first acting role in “Beasts of the Southern Wild.” She competed with thousands of other elementary-aged girls for the role of Hushpuppy, a child who struggles to come to the gripes with the pending loss of both her father and her coastal home.
The full list of nominees in the performance by an actress in a leading role category are:
Jessica Chastain in “Zero Dark Thirty”
Jennifer Lawrence in “Silver Linings Playbook”
Emmanuelle Riva in “Amour”
Quvenzhané Wallis in “Beasts of the Southern Wild”
Naomi Watts in “The Impossible”
This year the category includes the youngest nominee and the oldest nominee, as Riva is 85-years-old.
The 85th Academy Awards will air live on February 24.
Labor Secretary Hilda Solis is leaving her position in President Barack Obama’s cabinet, the Associated Press reports. Solis’ departure will make her the fifth member of the administration to leave the cabinet since the election.
The White House confirmed Solis’ resignation with the following statement:
Over her long career in public service - as an advocate for environmental justice in California, state legislator, member of Congress and Secretary of Labor - Hilda Solis has been a tireless champion for working families. Over the last four years, Secretary Solis has been a critical member of my economic team as we have worked to recover from the worst economic downturn since the Great Depression and strengthen the economy for the middle class. Her efforts have helped train workers for the jobs of the future, protect workers’ health and safety and put millions of Americans back to work. I am grateful to Secretary Solis for her steadfast commitment and service not only to the Administration, but on behalf of the American people. I wish her all the best in her future endeavors.
Solis’ resignation comes at a time when the Obama administration is receiving criticism for appointing less women to his second-term cabinet.
I’m told that Secretary of Labor Hilda Solis will step aside soon, making her the fifth member of the administration to leave the cabinet (or announce her deparature) since the election. Only two of these departures — Secretary of Defense Leon Panetta and Treasury Secretary Tim Geithner — are white and male. Lisa Jackson, who’s leaving the EPA, is African-American, and Solis was the first Hispanic woman to take charge of Labor.
From the White House down the ranks, the Obama administration has compiled a broad appointment record that has significantly exceeded the Bush administration in appointing women but has done no better than the Clinton administration, according to an analysis of personnel data by The New York Times. About 43 percent of Mr. Obama’s appointees have been women, about the same proportion as in the Clinton administration, but up from the roughly one-third appointed by George W. Bush.
The New York Times pointed out last month that while it has been 15 years since a white man served as secretary of state or secretary of labor, other positions of power have only gone to men.
Yet no woman or minority member has ever led the Pentagon, the Central Intelligence Agency or the Treasury Department. The White House chief of staff has also always been a white man.
Solis’ resignation is published in its entirety below.
After two short runs at New York City Center, “Cotton Club Parade” - a musical revue celebrating the Harlem nightclub during the Duke Ellington years - will move to Broadway this fall, its producers announced on Wednesday.
“Cotton Club Parade,” according to press notes, “celebrates Duke Ellington’s years at the famed Harlem nightclub in the 1920s and ’30s, when the joint was jumping with shows featuring big band swing and blues music. The vibrant production features singers, dancers, and the world renowned Jazz at Lincoln Center All Stars, under the direction of Wynton Marsalis.”
A press release notes theatre, casting, creative team and ticketing information for the Broadway run will be announced at a later time.
After two years of ACLU litigation the Pentagon has agreed to pay full separation pay to all service members involuntarily separated from the military after Nov. 10, 2004, because of their sexual orientation.
As the ACLU points out, if you serve six years in the military and are then discharged involuntarily, Congress says you’re entitled to separation pay to help ease your transition to civilian life. But the military had a policy - not required by any law - of cutting that separation pay in half if you’re discharged, even honorably, for “homosexuality.”
Under the terms of the agreement, service members covered by the lawsuit will be contacted by the government and notified that they are eligible for payments, the New York Times reports.
Even though black women comprise less than one percent of servicemembers, they represented 3.3 percent of all don’t ask, don’t tell discharges. Women in general appear to have been targeted under the policy. According to a 2010 Service Women’s Action Network report, women were 15 percent of the armed forces in 2008, but comprised 34 percent of the don’t ask, don’t tell discharges. People of color represented just under 30 percent of active duty personnel, but 45 percent of don’t ask, don’t tell discharges.
The Pentagon discharged more than 14,000 servicemembers under the policy between when it took effect in December 1993 and its official end in September 2011.
Director-actor-writer Tyler Perry garnered multiple nominations, including worst actress for his recurring role in drag as Madea in “Madea’s Witness Protection,” worst actor for “Good Deeds” and “Alex Cross,” and worst director for “Madea” and “Good Deeds.”
Rihanna also earned a nomination in the Worst Supporting Actress for her role in “Battleship.”
This year’s winners will be announced on 23 February, the night before the Oscar show.
Full list of nominees is below.
Jorge Rivas, Wednesday, January 9 2013, 11:45 AM EST
Huell Howser, the public television host that passed away earlier this week, took his show “California’s Gold” across the state to highlight different communities. Howser took his camera where no other broadcast television show dared to go and allowed many Californians to see fair representations of themselves on television for the first time.
Howser was born and raised in Tennessee and moved to Los Angeles in 1981. He went on to host several public television programs but he’s most often recognized for hosting the long running television series “California’s Gold.”
Howser took his viewers to parks, museums, libraries, historic landmarks and any other place he found interesting. He would visit these places and conduct informal—but thorough—on the spot interviews. One week you could be watching Howser exploring Frank Sinatra’s house in Palm Springs and the next week he’d be in the Tehachapi Mountains visiting The Cesar Chavez Foundation.
“California’s Gold” ran for 18-seasons and started out the same year that California voters approved Proposition 187, the 1994 anti-immigrant measure introduced in response to the state’s changing demographics.
The show started at a time when the state was divided but “California’s Gold” still went in to a diverse set of communities and highlighted our differences so we could better understand each other and find similar interests.
For example, Howser went to a Low Rider Magazine car convention and showed that brown men with mustaches spoke perfect English, liked vintage cars and that they too were part of California. He also went to other historical monuments and Latino owned business to illustrate Latinos had a rich history in California.
His show wasn’t afraid to highlight the state’s complicated past either.
He visited Angel Island and discussed the detention of Chinese immigrants from 1910-1940. In another episode he explored internment camps that Japanese Americans were forced into during World War II. He visited Camp Pendleton and explored the Vietnamese refugee history there too.
He traveled to the bay area to feature the Oakland Black Cowboy parade and went to South L.A. to visit the Watt’s towers and the African American Firefighter Museum.
Howser even visited affordable housing developments. He traveled to the Signal Hill area in Long Beach to look at Abode Communities’ Las Brisas Community Housing complex.
While this may all sound like it was geared for an older public television audience, the show reached people of all ages, including young people in schools. “California’s Gold” was endorsed by a number of organizations including: the California Teachers Association; the California Federation of Teachers; the California School Boards Association and the California Council for the Social Studies.
In a recent interview with SoCal Connected, producer Phil Noyes recounted a common interaction Howser had with some viewers.
“People would walk up [to Howser] and say ‘you’re not from California, you’re not a Californian, listen to your accent!’,” said Noyes, who worked with Howser for almost 19-years.
“Huell would lean back and say ‘now what’s a Californian accent exactly? Is it the hundreds of thousands of Vietnamese people that live here? Is it the millions of Hispanic and Latino people that live here?’ and you could see them shrinking back in to their shell and his point was well taken, there’s no such thing as a California accent.”
And with his work, Howser help proved that no matter where you came from you could become a Californian too.
Watch Noyes and Howser’s long time cameraman Luis Fuerte retell this storiy on So Cal connected below.
On Wednesday the president’s inaugural planners announced poet Richard Blanco will be the 2013 inaugural poet. Blanco will become the fifth poet in history to read an official inauguration poem and the first Latino and openly-gay poet to be given the honor.
The biography posted on Blanco’s website identifies him as a Cuban-American. The bio also notes the 44-year-old poet was conceived in Cuba, born in Spain and “imported” to the U.S. when he was only 45-days old. Blanco was raised in Miami by his mother who was a bank teller and his father, a bookkeeper.
President Obama picked Blanco because the poet’s “deeply personal poems are rooted in the idea of what it means to be an American,” according to an inaugural committee spokeswoman who spoke to the New York Times.
Blanco says he feels a connection to the President also.
“Since the beginning of the campaign, I totally related to his life story and the way he speaks of his family, and of course his multicultural background,” Blanco told the NYT. “There has always been a spiritual connection in that sense. I feel in some ways that when I’m writing about my family, I’m writing about him.”
Blanco lives in Bethel, Maine with his partner. He has less than two weeks to compose an original poem for the president’s ceremonial swearing-in on the steps of the Capitol on Jan. 21.
New York City’s Stop-and-Frisk program finally had its day in court, and it lost. A federal judge in Manhattan has ordered the New York City Police Department to stop making stops for trespassing outside certain privately owned Bronx buildings without reasonable suspicion. Manhattan Judge Shira Scheindlin said the practice of stopping people suspected of trespassing outside private buildings in the Bronx was unconstitutional.
The decision appears to be one of the more significant federal rulings during the Bloomberg administration on the Police Department’s use of stop-and-frisk tactics, which the administration has credited with helping lower crime rates in the city.
The case was narrowly focused on police stops in front of the private residential buildings enrolled in the Trespass Affidavit Program in the Bronx. Under that program, which includes several thousand residential buildings, property managers have asked the police to patrol their buildings and to arrest trespassers.
But Judge Shira A. Scheindlin of Federal District Court in Manhattan ruled Tuesday that the Police Department was routinely stopping people outside such buildings without reasonable suspicion that they were trespassing.
“While it may be difficult to say where, precisely, to draw the line between constitutional and unconstitutional police encounters, such a line exists, and the N.Y.P.D. has systematically crossed it when making trespass stops outside TAP buildings in the Bronx,” Judge Scheindlin ruled.
“For those of us who do not fear being stopped as we approach or leave our own homes or those of our friends and families, it is difficult to believe that residents of one of our boroughs live under such a threat. In light of the evidence presented at the hearing, however, I am compelled to conclude that this is the case,” Judge Scheindlin went on to say.
Lawyers from the Center for Constitutional Rights (CCR) who previously filed a federal class action lawsuit that accused the NYPD of racial profiling praised today’s decision.
“The stops held unconstitutional today - for alleged trespasses outside the plaintiffs’ own apartment buildings in the Bronx - are part of a pattern of unconstitutional NYPD stops in all boroughs that have disrupted the lives of New Yorkers, particularly Black and Latino New Yorkers, for over a decade,” said Vincent Warren, director of CCR said in a statement.
“By consolidating today’s case with the Center for Constitutional Rights’ class action stop-and-frisk lawsuit, Floyd et al. v. City of New York, et al., Judge Scheindlin has correctly recognized that the stops held unconstitutional today are part of a larger problem identified by Floyd,” added Warren.
You can read Judge Scheindlin’s full ruling below.
A Baltimore- based group that focuses on organizing low wage workers is losing their community space because of what they call the University of Maryland’s “expanding presence”. The group United Workers fights for fair development in their city and now they’ve become victims of real estate developers themselves.
A letter published on the United Workers website states their landlord has given them a 30-day eviction notice to vacate their office and community space.
The fight for Fair Development hits home. United Workers is being evicted from its office and community space due to the expanding presence of the University of Maryland (UM) in West Baltimore.
Over the last few years, UM has bought much of the property around our current office for its business school and biopark, setting in motion the dominos of displacement that development inevitably triggers. Due to the UM development, our non-profit landlord has been priced out of a number of community spaces and is now forcing us out to make room for its own relocated community programs. While fighting to keep open the precious few community resources, such as rec centers and fire stations, we see this eviction as part of the untold story of human rights abuses systemic across Baltimore. The actions of the University of Maryland have largely gone unnoticed - from demolishing low-income housing in the community to massive land purchases that led to our eviction and, no doubt, the displacement of other community residents and institutions. The result has been increased power for the few, while the livelihood and empowerment of the community has been completely undermined.
Our landlord is imposing an eviction deadline of January 31, 2013. We are attempting to push back and may need your help! We will keep you posted. What we need now are solid leads on new locations for our office and community space. Though this is a frustrating situation, it also allows us an opportunity to find a space that can make us even more accessible to our community. We want to stay in West Baltimore, particularly either in the Hollins Market area, where we are currently located (21223), or in Sandtown Winchester (21217). West Baltimore has been important to our organizing, particularly in recent years. It is where we have fought to keep the rec centers open and succeeded in saving the Truck 10 fire station. We have been working to launch a food distribution program in the neighborhood around our office this month. That being said we will consider any space that is available.
Put this one under the category for award season bloopers. An apparent glitch on the Oscars.com website resulted in a test page going live a week before it was suppose to be published. Vanity Fair broke the news and grabbed a screen capture of the page that reveals “Django Unchained” as one of the first nominees.
The Academy of Motion Picture Arts and Sciences is staying quiet and calling it all a “website glitch.”
The Academy Awards nominees won’t be announced for another week, but according to an accidentally published test page on Oscars.org, Django Unchained costume designer Sharen Davis has already clinched a slot. “This is the third Academy Award nomination for Sharen Davis. She was previously nominated for Dreamgirls (2006) and Ray (2004)” the site said. While we feel sorry for the poor sap responsible for her inclusion—and while we won’t know whether she’s really nominated until next week—we had to tell Davis.
“Oh my gosh! I haven’t even lost weight!” Davis replied. “I never thought about an Oscar in my life. When they called me for Ray, I thought it was a prank call. I said, ‘Am I going to open the door and see one of those fake, standing Oscars?’”
Davis was similarly incredulous when the Tarantino camp approached her for Django Unchained. “Are you sure you want the girl from The Help and Dreamgirls?” she asked. Although the bold, bloody Western is a departure for Davis—“I don’t even like violent movies,” she admits—her admiration for Quentin Tarantino trumped her sensitivity.
Nominations for the 85th Academy Awards will be announced Thursday by host Seth MacFarlane and actress Emma Stone.
Officers found Arthur Madril unresponsive in his bunk, at the Maricopa County jail, on Saturday.
Madril was in custody on a $4,000 child support warrant and had been booked into custody in September. He was on work release status, being able to work during the week and report to jail on nights and weekends.
The prisoner had returned to jail Friday night and was found unresponsive by detention officers in the morning. CPR was performed but a Phoenix Fire crew, pronounced him deceased.
In 2003, Brian Crenshaw died after what was determined to be a beating by jail guards. His family sued and was awarded $2 million.
That same year, Phillip Wilson was serving two months for a non-violent offense and was attacked, beaten and killed by white supremist gang members. A suit was also filed in that death, but MCSO was not held responsible.
The federal government spends more on immigration enforcement than it does on the FBI, DEA, Secret Service, US Marshalls, and Bureau of Alcohol, Tobacco, Firearms, and Explosives combined, a new Migration Policy Institute (MPI) report released today finds.
The report also found that more people are detained each year in immigration detention facilities than are serving sentences in federal prisons.
Among the report’s other key findings:
More than 4 million non-citizens, primarily unauthorized
immigrants, have been deported from the United States since 1990, with
removals rising from 30,039 in FY 1990 to 391,953 in FY 2011.
Fewer than half of the non-citizens deported from the United
States are removed pursuant to a formal hearing before an immigration
judge, with the majority removed by the Department of Homeland Security
(DHS) via its administrative authority.
The nearly 430,000 non-citizens detained in the immigration
detention system in FY 2011 exceeded the number serving sentences in
federal Bureau of Prisons facilities for all other federal crimes.
Immigration enforcement spending has totaled nearly $187 billion in the 26 years since IRCA ($219 billion in 2012 dollars).
Spending on CBP, ICE and DHS’s primary immigration enforcement
technology initiative, the US Visitor and Immigrant Status Indicator
Technology (US-VISIT) program, reached $17.9 billion in FY 2012. In
comparison, total spending for all other federal criminal law
enforcement agencies (the FBI, Drug Enforcement Administration, Secret
Service, U.S. Marshals Service and Bureau of Alcohol, Tobacco, Firearms
and Explosives) stood at $14.4 billion in FY 2012.
“There has been an historic transformation of immigration enforcement into a highly resourced, robust infrastructure,” said Muzaffar Chishti, one of the report’s co-authors. “This modern-day system extends well beyond U.S. borders to screen visitors against multiple intelligence and law enforcement databases before they arrive and also reaches into local communities across the country via partnerships with state and local law enforcement, information sharing and other initiatives.”
“With shrinking budgets and increasingly rampant civil rights
violations in the name of ‘immigration enforcement’, today’s study is a
wake up call to our legislators. That the US spent almost $18 billion
last year to detain immigrants and separate families for violating
immigration laws that are widely recognized as outdated and impractical
shows just how far anti-immigrant fervor has gone in spawning backwards
priorities in Congress. 2013 should be the year that the administration
invests in public safety and family unity by disinvesting from dead-end
programs like Secure Communities.”
HBO’s “Girls” series got a lot of attention its first season for having an entirely white cast of lead actors. The second season of the show that premieres this coming Sunday is said to include a bit more color.
Season two starts with a pretty big — and unexplained — jump. Hannah is now dating a handsome black Republican named Sandy (Donald Glover)… When Sandy calls out Hannah’s knowledge of race and its ramifications, she goes on a self-righteous, defensive rant, and Sandy says, “You just said a Missy Elliott lyric.” There are attacks on fixie bikes, rich white girls dating black men, iPad-using gay DJs, what constitutes a “pretty person’s job,” and the smug cynicism of youthful people who haven’t earned the right to it.
Goodman described Glover’s character storyline as a pretty big unexplained jump… which could mean his role may appear to be the token black guy on the show.
“I wrote the first season primarily by myself, and I co-wrote a few episodes. But I am a half-Jew, half-WASP, and I wrote two Jews and two WASPs. Something I wanted to avoid was tokenism in casting. If I had one of the four girls, if, for example, she was African-American, I feel like — not that the experience of an African-American girl and a white girl are drastically different, but there has to be specificity to that experience [that] I wasn’t able to speak to. I really wrote the show from a gut-level place, and each character was a piece of me or based on someone close to me. And only later did I realize that it was four white girls. As much as I can say it was an accident, it was only later as the criticism came out, I thought, ‘I hear this and I want to respond to it.’ And this is a hard issue to speak to because all I want to do is sound sensitive and not say anything that will horrify anyone or make them feel more isolated, but I did write something that was super-specific to my experience, and I always want to avoid rendering an experience I can’t speak to accurately.”
We’ll have to wait till Sunday to see if Glover’s character comes off as the token black guy on the show but what’s clear is he’s definitely the token black republican. There aren’t too many of them in real life—this last election, 90 percent of the black vote went to Obama.
Inspired by the “Demand a Plan” video that features more than a dozen of Hollywood luminaries, California youth have come together to demand a “real plan” to keep schools and communities safe.
In the 60-second video, 33 California young people say more guns are not the answer to keeping schools safe. The teens in the video call for a “real plan” to end violence that goes beyond gun control and does not turn schools into fortresses.
“This doll shit is crazy,” talent manager, filmmaker, and fashion industry doyenne Bethann Hardison told The Daily Beast. “But Quentin Tarantino believes in what he’s got and it seems he is not believing anything less.”
After repeated attempts to get someone to go on record about the collection, NECA spokesperson Leonardo Saraceni declined to make anyone available, would not comment and referred all queries to the Weinstein Company. No one at the Weinstein Company was available for comment by deadline and no one responded to questions posed.
Admitting that at first glance he thought the dolls to be just a piece of memorabilia, noted black film critic Tim Gordon, also citing Jamie Foxx unveiling the trailer of the movie during the recent Soul Train Awards telecast, noticed “there were a lot of things that were done for Django that would’ve never been done for Inglourious Basterds … but people don’t speak up. People have gotten so — I don’t know if the word is comfortable or naïve. We just want to go along to get along and it’s very frustrating.”
Mirna Valenzuela took a trip to Tucson, Arizona’s Casino del Sol Resort with her daughter Zamira Osorio, and hit a $1200 jackpot win. But the lucky win turned unlucky very quickly when events led to Valenzuela’s deportation to Mexico. Federal law requires that winners of $1200 or more show identification for tax purposes. When Valenzuela presented her ID, casino officials suspected it was fraudulent, and called the tribal Pascua Yaqui police. After investigating they determined that the ID was valid, but that Valenzuela and her daughter were undocumented immigrants from Mexico. The mother and daughter were turned over to U.S. Border Patrol and arrested. Valenzuela was deported and Osorio was released under the DREAM act.
Casino CEO, Wendell Long said, “We’re not here to deport people,” and that this is the first time since the casino’s 2001 opening that an incident of this type has occurred. Regardless, Zamira Osorio said that her family felt discriminated against and that Casino del Sol Resort should put up a sign that they don’t want illegal immigrants playing at their casino. While the situation is sad, Valenzuela is doing all right and her winnings are still at the casino, where she’ll have to claim them in person with a valid id.
Presumably, Valenzuela’s daughter is still in the U.S. because she was protected by Deferred Action.
Casino officials say their property is on a Native American land and they don’t enforce immigration laws.
“We strongly embrace our Hispanic visitors as well as all of our visitors and want to make sure they feel safe and welcome in our property,” Wendell Long, a Casino del Sol representative told Arizona’s 12 News.